The movies recommended of Rajesh Khanna are listed below in order of a better film preceding the next best film. The masala entertaining films which were box office hits are placed below the list as they were run off mill films or formula based films or multi star films so even they are placed below in the list. Rate, contribute reviews, awards info, trivia. Listen song previews, buy songs and albums. Amar Prem movie cast are Rajesh Khanna, Sharmila Tagore. Burman - Complete information including lyricist, singers and other credits, ratings and user and critic reviews, complete songs listing, award information and trivia. His films with him having pivotal special appearance that is Khanna having integral role in the film, have been placed below in the list as he was not the leading man of the movie, although his presence in those films played a big part in them becoming box office hits like Andaz, Durga, Anuraag, Disco Dancer and Suraag in the respective years. Amar Prem Lyrics: Here, you will get the interesting facts of Hindi picture film Amar Prem. Samanta achieved a hat-trick of hits with Rajesh Khanna, which started with Aradhana (1969) and Kati Patang (1971). The film with a different theme and becoming a box office hit due to Rajesh Khanna's performance as the main lead actor is placed higher up the order followed by next best performance of his.Most of his films are blockbusters at the box office and most of them are classic films of which few became box office flops. Though 1972 was a year of the big films Pakeezah, Dushman and Beimaan, upon its release, Amar Prem was eighth amongst Khanna's top releases in the year.
If he thinks this third rate shot was great, obviously his mind wasn’t working.” But the history books would disagree since Aradhana was a part of Khanna’s steps towards stardom.This list ranks films on basis of Rajesh Khanna's performance. In an altercation about a retake for a scene (in Aradhana), Rajesh Khanna looked at director Shakti Samanta straight in the eyes and said “isse better performance aapko India mei koi nahi dega.” To which Samanta later confided, “Rajesh Khanna is finished. If he thinks this third rate shot was great, obviously his mind wasn’t working.” Hoards of women were left heart broken, some of them went into a state of shock, while some who previously married his photo decided to wear white to symbolize widowhood.” As per magazine Devi the entire act of his wedding with Dimple Kapadia was “nothing more but a publicity stunt for whatever it was worth.” “The news of Rajesh Khanna tying a knot ended up becoming the biggest event of the year. The hysteria was unprecedented.” Sharmila also mentions, “He (Rajesh Khanna) probably didn’t have the attributes that are normally associated with a hero, what he had was a disarming smile, youthful energy and an innate sense of drama and a well-modulated voice which he used to his fullest advantage.” To this, Yasser Usman adds, “Mostly remembered as a romantic actor as he had a vulnerable lost air about him that made women of all ages feel safe around him”. Amar Prem tells the story of relationships that have no name but the power to break hearts Not Shakti Samanta, Rajesh Khanna or Sharmila Tagore it was Anand Bakshi’s lyrics that gave this movie its soul. Usse na aap badal sakte hain na main - Anand. Babumoshai, zindagi aur maut uparwale ke haath hai. Kab, kaun, kaise uthega ye koi nahin janta. Babumoshai, hum toh rangmanch ki kathputliyan hain jiski dor uss upar wale ke haathon main hai. She says “There was a long queue of women from nine to ninety outside the studio where we worked. Pushpa, mujhse ye aansu nahi dekhe jaate, I hate tears - Amar Prem. More than just a heartthrob, Khanna was an idol to them. She also highlights how they would stand in queues outside the studios to catch a glimpse of him, marry his photographs, pull at his clothes and what not. In the audiobook, Sharmila Tagore, superstar Rajesh Khanna’s favourite co-star, mentions that women came out in droves to see him. This is an actual surviving vintage Bollywood poster of the 1972 Hindi film directed by Shakti Samanta starring Sharmila Tagore and Rajesh Khanna in lead. “There was a long queue of women from nine to ninety outside the studio where we worked.”
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